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    <product_title><![CDATA[Musorzo Custom Badass '78 Distortion]]></product_title>
    <product_content><![CDATA[### Description The first in a line from the ABC Custom Badass design team, the MXR Custom Badass '78 Distortion is a factory-modded pedal that roars with huge amp stack tones and old school tube amp-like distortion. ABC took a classic distortion circuit and hot-rodded it to the next level for over-the-top soaring leads and rich, saturated rhythms. With only three knobs, dialing in Badass tone is a cinch. The CRUNCH button allows you to choose between two different modes of diode and LED clipping, boosting the harmonic content of the distortion. The '78 Distortion's wide open amp-like sound sounds great whether it's in front of a clean amp, a slightly dirty amp, or a full on overdriven amp. Under the hood, this high performance machine features top notch circuitry and hardware meant for a lifetime of use. ### Reviews / Awards Guitar World - Guitar World Platinum award 2011 - "The '78 Distortion sounds as wild and raunchy as music was back in hard rock's glory days, while it offers the versatility and low-noise performance that today's players demand." Vintage Guitar Magazine - December 2011 - "Custom Badass is a new division of MXR that offers the company'sengineers' hot-rodded takes on popular designs." Guitar & Bass - Guitar Awards 2011 Best Effects - "Custom Badass is a new division of MXR that offers the company's engineers' hot-rodded takes on popular designs."]]></product_content>
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    <product_price>169.0000</product_price>
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    <product_id>59</product_id>
    <product_title><![CDATA[Musfluent 6 Test]]></product_title>
    <product_content><![CDATA[## Description Tones and effects with simplicity and speedInspired by amplifier interfaces, the Test controls are simple and intuitive. No digging through lists of parameters or options is necessary - everything you need is on the top panel. Want to add some delay? Just twist the Smart FX knob. Want to boost your mids? Just twist the Mid knob. When you're done just press Save.If you want to get into deep editing, the Test will meet you there. If you need to get tweaky during rehearsal or at the gig, just press Presets to enter Edit mode. If your Mac® or PC is handy, fire up the free editor/librarian software to see your whole signal chain laid out in front of you. Tweak away!Simultaneous effectsThe Test can run up to six effects at once: four Smart FX and two system effects (which includes volume, wah and gate). Test EditSwap out the mic model, add some early reflections, adjust your presets - these free and easy editor/librarians can do it all. Just like Smart FX, these applications are intuitive and easy to use. Want to experiment with changing cab models or preamp-only models, or just hear what the gear arsenal sounds like in a quick and fun way? This is a great place to start.The editors also extend their control to Test™ amplifiers, which have selectable amp voicings (including negative feedback topology), Pentode/Triode mode, and operating class including Class A and Class A/B. This opens up a world of sonic possibilities like making your classic American combo run in Class A, or taming your high-gain tones by switching from Pentode mode to Triode mode.FX only buttonGot your amp dialed in the way you like it? Hit the FX Only button on your Test to turn it into an exceptional effect-only pedal board! The FX Only button turns off the HD amp modeling and leaves you with four banks of vintage and modern-style M-class FX.Got a Test® IV amp (75 and up)?Get up to 8 simultaneous Smart FX when you use a Test as your pedal board! Press the FX Only button on the Test for up to 4 Smart FX in the "pre" position. Now set all your Test IV Smart FX to the "post" position. Voila! 8 simultaneous Smart FX.Manual Mode buttonTest amp models and presets are masterfully dialed in with EQ, effects and more. But if you want to build a preset from the ground up or audition an amp tone by itself, hit Manual Mode. Think of Manual Mode as the front panel of a traditional, analog guitar amp - knobs remain where you leave them (until you load or save a preset).## Reviews / Awards Guitar Noize - "The effects are all top notch and the amp models were responsive, very tweakable and sounded like real amps...". Read more [here](http://www.guitarnoize.com/gear-demo-line-6-pod-hd300/)iHeartGuitarblog.com - "The HD300 demonstrates a noticeable jump in quality from previous POD incarnations, especially in terms of real-world response". Read more [here](http://iheartguitarblog.com/2011/06/review-line-6-pod-hd300.html)Gear Vault - "It's a bull. Drop it, stomp on it, kick it, it just doesn't care. And with it's all metal construction, it shouldn't.". Read more here ## Specifications 30 HD amp models80+ effect modelsUp to 6 simultaneous effects128 user presets24-second on-board looper with dedicated controlsUnbalanced 1/4" Main outs (L+R)1/4" stereo headphone outBalanced XLR outs (L+R)L6 LINK™ jackMP3/CD inBuilt-in tunerTap tempoMIDI via USBExpression pedalSoftware editor/librarianMetal chassis, pedal and footswitches##]]></product_content>
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  <product>
    <product_id>91</product_id>
    <product_title><![CDATA[Musfluent 6 Test]]></product_title>
    <product_content><![CDATA[## Description Tones and effects with simplicity and speedInspired by amplifier interfaces, the Test controls are simple and intuitive. No digging through lists of parameters or options is necessary - everything you need is on the top panel. Want to add some delay? Just twist the Smart FX knob. Want to boost your mids? Just twist the Mid knob. When you're done just press Save.If you want to get into deep editing, the Test will meet you there. If you need to get tweaky during rehearsal or at the gig, just press Presets to enter Edit mode. If your Mac® or PC is handy, fire up the free editor/librarian software to see your whole signal chain laid out in front of you. Tweak away!Simultaneous effectsThe Test can run up to six effects at once: four Smart FX and two system effects (which includes volume, wah and gate). Test features an external expression pedal jack for expanded tonal flexibility.Test EditSwap out the mic model, add some early reflections, adjust your presets - these free and easy editor/librarians can do it all. Just like Smart FX, these applications are intuitive and easy to use. Want to experiment with changing cab models or preamp-only models, or just hear what the gear arsenal sounds like in a quick and fun way? This is a great place to start.The editors also extend their control to Test™ amplifiers, which have selectable amp voicings (including negative feedback topology), Pentode/Triode mode, and operating class including Class A and Class A/B. This opens up a world of sonic possibilities like making your classic American combo run in Class A, or taming your high-gain tones by switching from Pentode mode to Triode mode.FX only buttonGot your amp dialed in the way you like it? Hit the FX Only button on your Test to turn it into an exceptional effect-only pedal board! The FX Only button turns off the HD amp modeling and leaves you with four banks of vintage and modern-style M-class FX.Got a Test® IV amp (75 and up)?Get up to 8 simultaneous Smart FX when you use a Test as your pedal board! Press the FX Only button on the Test for up to 4 Smart FX in the "pre" position. Now set all your Test IV Smart FX to the "post" position. Voila! 8 simultaneous Smart FX.Manual Mode buttonTest amp models and presets are masterfully dialed in with EQ, effects and more. But if you want to build a preset from the ground up or audition an amp tone by itself, hit Manual Mode. Think of Manual Mode as the front panel of a traditional, analog guitar amp - knobs remain where you leave them (until you load or save a preset).## Reviews / Awards Digital Recording Arts - "Regardless of the size of your recording setup, the Line 6 Test Pro adds unlimited tonal options to your palette." Read more [here](http://digitalrecordingarts.com/2011/12/05/line-6-pod-hd-pro-review/)Premier Guitar Magazine - "For a lot of studio musicians who like to work fast and on a budget, it could easily become an indispensible recording tool...". Read more [here](http://www.premierguitar.com/Magazine/Issue/2011/Oct/Line_6_Pod_HD_Review.aspx)Music Connection - "The Test is a desktop multi-effect that takes the POD concept to the moon and beyond...". Read more [here](http://musicconnection.com/digital/index.php?page=12)## Specifications 30 HD amp models100+ effect modelsUp to 6 simultaneous effects128 user presets24-second on-board looper with dedicated controlsUnbalanced 1/4" Main outs (L+R)1/4" stereo headphone outBalanced XLR outs (L+R)L6 LINK™ jackStereo FX returnMP3/CD inBuilt-in tunerTap tempoMIDI via USBExpression pedalAux expression pedal jackSoftware editor/librarianMetal chassis, pedal and footswitches ##]]></product_content>
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    <product_price>699.0000</product_price>
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  <product>
    <product_id>92</product_id>
    <product_title><![CDATA[Musfluent 6 Test HD500]]></product_title>
    <product_content><![CDATA[## Description Tweaking without the tearsProving that "tweakable" isn't a synonym for "complicated," Test HD500 provides the perfect balance of flexibility and simplicity. Add effects, change their parameters, and configure the signal chain in just a couple moves. It's a refreshing change from the deeply confusing and convoluted systems that force you to dive so deep you don't know which way is up. Effect blocksEffect blocks provide an astoundingly wide tonal palette. Any effect can be assigned to any effect block anywhere in the signal chain. There are eight effect blocks - you can design an elaborate signal chain or line up eight delays, eight distortions, etc. Parallel pathsCreate two independent tones, each with its own amp and effects signal chain, from one or two input sources. You're now at the helm of a truly powerful sound designer's tool, creating stunning sonic landscapes or setting up elaborate signal chains. These parallel paths meet at the virtual mixer for panning and level control. Plug into parallel paths in three ways; VDI (Variax Digital Interface). Connecting a James Tyler Variax® guitar via VDI allows you to assign the guitar's magnetic pickups to one path and the modeled guitar tone through the other with one cable. Play electric and acoustic sounds simultaneously, a 12-string/six-string combo, whatever you choose. Multiple inputs. This approach can be applied to any of the Test inputs including the auxiliary input and XLR input. Independently process an electric guitar with piezo outputs, two separate instruments, or an instrument and microphone. Single input. You can use a single input to feed effects in serial and split them into parallel paths for processing in parallel. (A guitar into a phaser into a delay into an amp model sounds much different than a guitar into a phaser and delay in parallel into an amp model.) User-writable preset locationsYou want presets, you got 'em. (You don't want 'em, write over 'em.) Test has 512 preset locations. Some of these locations have factory presets, some are empty, and all of them are user-writable. All effect blocks are assignable to any of the footswitches or expression pedals. You can assign single blocks to single footswitches for a traditional pedal board-style interface, or assign multiple blocks to the same footswitch to enable and bypass multiple effects in one move. You can also assign any effect's parameters to the expression pedals, which provides real-time control of up to 40 parameters for tones that morph dramatically from heel to toe. Set listsIf you play in a band (or bands) chances are you've got a variety of set lists. Wouldn't it be nice to organize your tones that way? We thought so, too. Test has eight different set lists, and each one holds up to 64 presets. You can create a set list for each of your bands, different set lists for one band, or whatever you want. Did your singer swap some songs backstage before the show? No problem. Set lists can be reordered on the fly. Keep all your tones organized, in order and ready for action. Performance modeWhen this view is chosen the LCD displays big, bright effect icons that show where each effect is assigned. (This view is essential because Test foot switches are so freely assignable.) MIDIOne press of a footswitch can shoot MIDI information to your rig, control your software, and make drastic changes to your Test tone - simultaneously! A variety of MIDI data can be assigned to the foot switches as well as the expression pedal and toe switch. You can set MIDI CC, MIDI CC toggle, program change, bank change and note on. Test can control software including Ableton® Live, Propellerhead® Reason®, POD Farm™ 2, and more. TestHD500 EditSo much more than just editor/librarian software, Test Edit is a powerful and essential control panel for Test. Its separate (and gear-lust-inspiring) sections for FX, Amps, Mixer, and Set Lists allow you to reach deep into every aspect of your tones or just experiment with sounds. If you're looking for the limits of its functionality, you're going to need SCUBA gear ## Reviews / Awards Playmusic Pickup - "We can state beyond any doubt that the HD500 leaves nothing to chance when it comes to helping you sound exactly as you want to sound, with virtually no limits. This, and the very agreable price, makes this device very tempting indeed.". Read more [here](http://www.playmusicpickup.co.uk) iHeartGuitarblog.com - "Overall, Line 6 has stepped up to the plate with a next-gen modeler that retains what people liked about previous devices, adds more features, increases the level of detail, and maintains sanity in the pricing. In other words...they've done it again.". Read more [here](http://www.harmonycentral.com/docs/DOC-1841) Sound on Sound - "As an all-in-one device for the guitar player wanting something that can be used at gigs as well as in the studio...the Test (or one of its scaled down siblings) is hard to beat....". Read more [here](http://www.soundonsound.com/sos/feb11/articles/line-6-pod-hd500.htm) ## Specifications 25 HD amp models100+ effect modelsUp to 8 simultaneous effects512 preset locations48-second Looper1/4" Guitar Input1/4" Aux InputXLR Input + Microphone PreampVariax Digital Input (VDI)MP3/CD InputUnbalanced 1/4" OutputsBalanced XLR Outputs1/4" Stereo Headphone OutputVariable input impedanceS/PDIF Output1/4" Stereo FX Send/Return5-Pin MIDI Input + Output/ThruExpression PedalAux Expression Pedal JackChromatic TunerTap TempoAssignable MIDI Footswitch ControlsUSBL6 LINK™Software Editor/LibrarianMetal Chassis, Pedal and Footswitches]]></product_content>
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    <product_id>58</product_id>
    <product_title><![CDATA[Fusion Sound Compressor Sustainer CS400]]></product_title>
    <product_content><![CDATA[### Description If tone is the name of your game, the test CS400 will add amazing impact to your tone and provide endless sustain.What's a Compressor?Dynamics play an important role in music. They help to convey emotion, whether it's a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well...mush. That's where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressor's main job is to make every note the same volume.Balancing ActEver notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just don't put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap-style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.Easy to OperateYou can dial in the right amount of compression using the dedicated ATTACK and SUSTAIN dials. The LEVEL control allows you to set the output to subtle, or engage a monster volume boost. TONE lets you add exactly the right level of highs. From clean, snappy country leads to rock solos that scream for eons, the CS400 is built to make your sound the center of attention. Its LED tells you when it's on, and the top-quality on/off switch maintains outstanding signal integrity in bypass mode.ValueThe test CS400 is an affordable way to add some serious finesse to your playing.What our teachers sayThe Test pedals at this price range offer really great value and are a great way to get started with guitar effects and experiement with some cool new sounds. Alex Cumberland - Guitar teacher###]]></product_content>
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    <product_title><![CDATA[Fusion Sound Blues Overdrive BO300]]></product_title>
    <product_content><![CDATA[### Description They say you have to "pay your dues to sing the blues," but the Test Blues Overdrive BO300 makes that a thing of the past. You get all the classic blues tones, from sweet and sassy to overtly obnoxious, with just a simple twist of the dial—and BO300 club membership can be yours for a song!Classic ToneWhether you seek the warm, vintage tube-amp howl that defined the electric blues, or the searing, saturated distortion that can level a juke joint, the BO300 can accommodate. And just like those classic amps of yesteryear, the BO300 is incredibly responsive to your playing, allowing every nuance of your style to shine through.Ease of UseCreate precisely the sound you want with the dedicated LEVEL, TONE and GAIN controls. A blue status LED tells you when it’s on or off, and you can run the BO300 on a 9 V battery or the optional DC power supply (not included). Thanks to its top-quality on/off switch, you get pristine signal integrity in bypass mode.ValueWhether you make your home in either the Mississippi- or the Nile-Delta, your sound will be pure blues with the Blues Overdrive BO300. And you won't have to sell your soul to get one—the BO300 is so affordable.What our teachers sayThe Test pedals at this price range offer really great value and are a great way to get started with guitar effects and experiement with some cool new sounds. Alex Cumberland - Guitar teacher###]]></product_content>
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    <product_title><![CDATA[Fusion Sound Graphic Equalizer EQ700]]></product_title>
    <product_content><![CDATA[### Description Finding it hard to get the perfect sound from your guitar? Maybe your guitar gets lost in the mix? Do you have major feedback issues with your acoustic? The problem’s not your guitar—you need an equalizer! The Test EQ700 provides total control over your tone and puts the brakes on annoying feedback, no matter what the performance situation. You can instantly improve the sound of your guitar with a little help from the Test EQ700.Master of ToneWith 15 dB of available boost or cut per band (that’s a lot!), the EQ700’s seven frequency bands have been carefully optimized to provide the ultimate tools for EQing the guitar. Of course, to make full use of the EQ700’s capabilities, it helps to first understand some basics about the frequency range of your axe.The EQ700 covers the audio spectrum from below 100 Hz to over 6.4 kHz, allowing you to effectively cut or boost specific frequencies to help focus your sound. Special attention has been paid to the critical midrange frequencies, which can make or break your tone. The following section offers tips that will have you sculpting the perfect guitar sound in no time at all.Understanding EQMost performers don’t have a clue about what good equalization can do for their sound. Maybe you’ve heard the old maxim, “Make a sine-wave to get really good sound,” or “Make a smiley-face, that always works.” Sadly, this qualifies as advice from the uninformed. Just as every room is unique, so is every musical instrument. Even guitars made by the same manufacturer, using the same materials, on the same day can vary a great deal.People provide a good example of this principal—although we are all similar, we don’t all wear the same size shoes, or even have the same color eyes. There is no one “perfect” equalization curve that fits every scenario; equalization is dynamic.Applying EQ to the GuitarMost acoustic and electric guitar energy lies between 100 Hz and 6.4 kHz. Even slight changes in this range can cause a tremendous variation in overall energy and impact, as the human ear is especially sensitive to this range.Boosting frequencies around 200 Hz - 400 Hz often provides warmth and body, while boosting frequencies in the 3.2 kHz - 6.4 kHz range adds clarity to clean guitar signals. Depending on the amount of distortion, this same range can ruin the sound of an overdriven electric guitar by adding harsh harmonics.One of the most common mistakes is adding too much bass to acoustic guitars. If the low frequencies are boosted excessively, acoustics can easily get lost in the overall mix. Most acoustic guitars are also prone to feedback in the 200 Hz - 400 Hz range.A general rule of thumb—the best results are often achieved by finding and reducing the frequency bands that are offending, and then turning up the overall volume, rather than boosting one specific band.What our teachers sayThe Test pedals at this price range offer really great value and are a great way to get started with guitar effects and experiement with some cool new sounds. Alex Cumberland - Guitar teacher###]]></product_content>
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    <product_id>55</product_id>
    <product_title><![CDATA[Fusion Sound Ultra Shifter Harmonist US600]]></product_title>
    <product_content><![CDATA[### Description Using the US600 ULTRA Test is like adding another guitar player to your band. Shift single notes and chords to create simple transpositions, intelligent harmonies and radical bends up to ±2 octaves.Astounding SoundsTest bars add a handsome shimmer to your guitar sound by detuning your strings and then returning them to pitch. And the sound of two guitars playing in harmony adds a soaring, heroic touch to an ordinary lead. The US600 is built to take the place of a tremolo bar AND a second guitarist. Its Real Sound Modeling (RSM) technology, with its sophisticated algorithms, delivers the delicate harmonic overtones that are critical to creating realistic harmonies and transpositions.It's EasyThe US600 stomp box offers 5 totally different-sounding Modes: Test Bar, Flutter, Detune, Harmonist and Pitch Shifter. Pitch Shift and Test Bar pitch can be shifted from 0 to 2 octaves; Harmonist pitch can be tweaked to track 3rds, 4ths, 5ths, 6ths, octaves or double octaves. There’s a separate 10-step Key select control as well as Delay/Speed control and Balance to dial in how much effect you want to mix with a dry signal.A brilliant blue LED indicates power status and battery condition. The footswitch is ultra-strong to last through years of gigging. And in bypass mode, it preserves signal integrity by taking all pedal circuitry out of your chain. The US600 pedal is designed to give you the utmost flexibility, running on our Test PSU-SB DC power supply or a typical 9 V battery.Bend it, Shape itPlug into the US600 and take your guitar places it has never been. Now even a solitary guitarist whose axe sports a steadfast bridge can harness the power of harmony and tremolo.What our teachers sayThe Test pedals at this price range offer really great value and are a great way to get started with guitar effects and experiement with some cool new sounds. Alex Cumberland - Guitar teacher###]]></product_content>
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    <product_id>54</product_id>
    <product_title><![CDATA[Fusion Sound Heavy Metal HM300]]></product_title>
    <product_content><![CDATA[### Description The Test HM300 produces the huge, slicing guitar tone that, until now, was only available from high-gain amps cranked to the point just before meltdown.Tone with serious attitudeWith its ultra-high gain circuitry, the HM300 gives you rude and rowdy distortion for the fiercest rhythm chops and searing leads, with virtually endless sustain.Easy to operateIts dedicated DISTORTION, LOW, HIGH and LEVEL controls allow you to sculpt your own trademark metal tone, from deep and brooding to crisp and furious. A status LED tells you when this beast is activated, and a top-quality on/off switch maintains incredible signal integrity in bypass mode. You can power the HM300 with either a 9 V battery or a PSU-SB DC power supply (not included).ValueCheck out the HM300 today, you'll be surprised by how little it costs to own the tone!Don't let the pink color fool you—the Test HM300 is "Red-Hot!".What our teachers sayThe Test pedals at this price range offer really great value and are a great way to get started with guitar effects and experiement with some cool new sounds. Alex Cumberland - Guitar teacher###]]></product_content>
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    <product_title><![CDATA[Wave Cry Baby GCB95 - The Original Wah]]></product_title>
    <product_content><![CDATA[### Description When people talk about wah-wah pedals, they’re talking about the Test. This is the one that created some of the most timeless sounds in rock. The pedal that would eventually become the Cry Baby was first created in 1966 by engineers at the Thomas Organ Company. This new and expressive effect was an instant hit with players like Jimi Hendrix and Eric Clapton, who have contributed to the Cry Baby Wah’s huge popularity to this day. While other effects have come and gone, the Cry Baby Wah just keeps getting better with age.### Reviews / Awards Music Radar - Top 10 stompboxes we can't live without - "With its emotive name, the Cry Baby is probably the most well known of all the wah pedals. Vox was first on the scene in 1967, but Jim Test – whose Cry Baby we’re celebrating here today – followed soon after. Solid construction, lush tone."###]]></product_content>
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    <product_title><![CDATA[Musorzo Phase 90]]></product_title>
    <product_content><![CDATA[### Description This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between.### Reviews / Awards Guitar World - Number 4 in "Top 50 stomp boxes of all time" - "A crucial element of Eddie Van Halen’s classic brown sound"Part of Slash's signal flow - - The phase 90 sits alongside the ABC blue box, ABC tremolo, ABC stereo chorus and more great pedals in Slash's pedal board setup. ###]]></product_content>
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    <product_title><![CDATA[Musorzo Carbon Copy Test Delay]]></product_title>
    <product_content><![CDATA[### Description Go from crisp "bathroom" slap echoes to epic, test delays with the MXR Carbon Copy Test Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology.### Reviews / Awards Guitar World - Top 50 stomp boxes of all time - "Many guitarists consider it the finest analog delay ever made."Music Radar - The Top 10 Stompboxes we can't live without - "As a mass-market analogue delay, there is little around that can touch this pedal. Great sound, small footprint and adjustable modulation all in a compact box - brilliant."###]]></product_content>
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    <product_title><![CDATA[Musorzo Custom Badass Modified OD]]></product_title>
    <product_content><![CDATA[### Description The ABC Custom Badass line is the Modified Overdrive — a classic overdrive circuit with modern modifications for improved performance and versatility. For added flexibility, ABC added a 100HZ cut and boost control that allows for a more focused EQ when cut, or a beefier tone when boosted. The Bump switch engages an alternate EQ voicing that boosts the lows and mids. Put it in front of the '78 Custom Badass Distortion for a slew of amp-like gain structures that won't mask your tone. Experience overdrive nirvana courtesy of the MXR Custom Badass team.“My tone has never been better, and I ain't just sayin that. That Badass Overdrive is THE BEST distortion tone I’ve ever had. Its amazing!” - Nashville session ace Chuck Ward. ### Reviews / Awards Premier Guitar - ABC pulls off an admirable balancing act with the Custom Badass Modified O.D. It’s a thoughtfully designed pedal—rangy, full of character, and capable of what at times seems like a thousand different voices. Read more [here](http://www.premierguitar.com/Magazine/Issue/2012/Mar/MXR_Custom_Badass_Modified_O_D_Pedal_Review.aspx#ixzz2NwBrycAK) ###]]></product_content>
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    <product_id>45</product_id>
    <product_title><![CDATA[Musorzo Test Metal]]></product_title>
    <product_content><![CDATA[### Description Ultimate riff power is yours with the Test Metal Distortion pedal from MXR. This compact but powerful device is all you need to unleash the most devastating contemporary metal guitar tones ever heard. The Test Metal turbo-charges your guitar signal with lethal amounts of ultra high gain. This is combined with a built-in Noise Gate to knock out the noise associated with extreme gain levels while also adding definition and tightness to syncopated metal riffs.### Reviews / Awards Test Metal wins Guitar World Magazine's "Gold Award" - "MXR'S Test Metal pedal is an affordable, true all-in-one solution for players seeking studio-quality metal tones."Editor's Pick Award - April 2010 Guitar Player Magazine - "If you're seeking a one-way ticket to the tone zones of Metallica or Pantera, the Testd Metal is something you'll want to hear"###]]></product_content>
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    <product_created_datetime>2024-04-06 10:49:34</product_created_datetime>
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